Tag: Humor

  • A Telephonic Conversation by Mark Twain: Summary and Review

    A Telephonic Conversation by Mark Twain: Summary and Review

    A Telephonic Conversation is a short story written by Mark Twain. It talks about a telephonic conversation that ensues between a woman and her friend, a Mrs.Bagley, while the woman’s husband passively listens to a one-sided conversation writing an article on a philosophical subject in the meantime.

    Telephone

    What comes to mind when you read this word somewhere or some old relative says that to you?

    For me, the sound of the word immediately brings back memories from childhood, and if not that scenes from old Hollywood movies with the device demanding familial attention with its loud and incessant trrrring, trring and the receiver immediately rushing to it, holding one piece to the mouth and another to the ear. 

    People talking on the phone, as if expecting their voice to reach the other person without the telephone, and in the process, shushing every other sound made in the entire household. I get carried away in a whole different world

    So, why am I suddenly talking about telephones?

    I recently read a short story by Mark Twain, part of his collection, The 30000 Bequest.

    I read the story and couldn’t help but smile. And well, Good things are supposed to be shared.

    So here’s a sneak peek into the humor-filled world of Mark Twain’s telephonic conversation.

    A Telephonic Conversation: Summary and Plot Analysis

    The story revolves around a telephonic conversation that ensues between a woman and her friend, a Mrs.Bagley, while the woman’s husband passively listens to a one sided conversation writing an article on a philosophical subject in the meantime.

    There is something very relatable about the story, something that almost all of us can relate to, at some level.

    Here is a small excerpt..

    Yes, Why? How did that happen?

    Pause

    What did you say?

    Pause

    Oh No, I don’t think it was

    Pause.

    Humans have an innate tendency to attempt to fill in the blanks whichever way they can. I am sure you could remember some homework back from your school, where you were supposed to fill in the blanks..

    The dog jumped _______ the bridge.

    Name of the President of X country is ______.

    If x = 2, then 2X =_______

    Now take the earlier conversation and fill in the pauses. The result could be funny, your homemade version of Netflix for a lazy evening, if I may.

    The comments of the husband delivered in a typical deadbeat manner, were funny.

    Subtle complaint about the the woman’s volume when talking on the phone –

    I heard the following remarkable series of observations, all from the one tongue, and all shouted – for you can’t ever persuade the sex to speak gently into a telephone.

    It might not be your wife that does it today, with smart phones and all, but I can bet you know an elderly female relative or two that will fit that description.

    In closing the story Mark Twain presents this little monologue.

    Must you go? Well, Good-by.

    Pause.

    Yes, I think so. Good-by.

    Pause.

    Four o’clock then – I’ll be ready. Good-by.

    Pause.

    Thank you ever so much. Good by.

    Pause

    ..

    ..

    When the woman finally hangs up, she does not do that without a sigh ‘Oh, it does tire a person’s arm so!’

    Witnessing all this here is what the husband says

    A man delivers a single brutal “Good-By”, and that is the end of it. Not so with the gentle sex – I say in their praise; they can not abide abruptness.

    My thoughts on the story

    The USP of this little story is its relatability. It is something that we see happening around us ever so often.

    Taking such a mundane thing and turning into stuff that makes you smile.

    That’s the genius of Mark Twain and his telephonic conversation.

  • The 30000 Bequest by Mark Twain: Summary and Review

    The 30000 Bequest by Mark Twain: Summary and Review

    The 30000 Bequest is a short story written by renowned American author Mark Twain. It was first published in a collection of short stories. This story revolves around the devastating effects of union of fantasy and finance.

    Picture this:

    You are walking down the street mindlessly and  you suddenly come across a beautiful young woman. Your immediate reaction is to tuck your bulging stomach in, and you smile your goofy smile – charming in your head and totally awkward in reality – imagining having that beauty as your doting girlfriend, having a mansion for a house, a Ferrari for a casual stroll car, when suddenly you see being yanked into a highly crowded subway train, failing to notice the door closing on your face.

    The beautiful woman is nowhere to be seen and somehow you have managed to sleepwalk in broad daylight for a straight 15 minutes right up till the subway train that takes you to work.

    You let out a sigh and well, get on with your day.

    Seems far fetched, eh?

    I bet you have seen at least a couple of variants of this seemingly inexplicable occurrence in some television show or some movie if you haven’t lived at least a dialed down version of this episode yourself at some point in your life.

    But what am I going on and on about this imagination when we are here to have a discussion about Mark Twain’s short story The 30000 Bequest?

    Two words:  Spoiler Alert.

    The 30000 Bequest: Summary and Plot Analysis

    The story is set in a small town called Lakeside and boasts of about 6000 residents. Everyone knows everyone and their dogs. People are religious and friendly.

    The protagonist Saladin Foster was the only high-salaried book keeper in the town in his mid-thirties, who lived in the town with his wife Electra and their two daughters – Clytie and Gwen.

    Electra is a devoted wife and has brought the family a significant sum of money through her calculated financial ventures. She is a happy and pleased woman.

    Saladin (Sally) and Electra (Aleck) are both practical and diligent in all their endeavors during the day, but in the night, in each other’s company, the romantic version of their lives comes alive.

    All in all, they live a happy life.

    One day, they receive news from Sally’s distant relative Tilbury Foster, from a neighboring state, who mentions that he would be leaving 30000 bequest for them in his will, provided that they make no inquiries about him and do not attend his funeral.

    The couple, failing to properly register the oddity of the request, immediately start multiplying the imaginary money in their heads through a variety of financial investments.

    Although pretty harmless and comparatively limited in the beginning, their imagination begins to spiral out of control pretty quickly.

    The constant wait for the ‘good news’ of their relative’s demise meddles with their natural healthy familial state.

    They find themselves losing patience at the drop of a hat, quarreling with each other and constantly distracted while performing their usual duties.

    In a world where both of them have managed to multiply their imaginary wealth running into billions and made powerful contacts in the country and abroad, they keep rejecting proposals for their daughters. They are resolute on marrying them into nobody less than royalty.

    The husband and wife, who had once been so loyal and dedicated to each other, start finding flaws in one another, imaginary vices that they seemed to have acquired with their enormous wealth.

    Then, one day, the editor and proprietor of the Sagamore pays them a visit to remind them of their overdue payment of subscription, which the Fosters had missed for the last four years.

    Giddy with excitement to receive a visitor that they thought could only bring them good news of the relative’s death, they are heartbroken when they are told that Tilbury Foster died five years ago!

    Crestfallen upon receiving this terrible news, Sally and Electra sit motionless for hours, not realizing the departure of their guest.

    The dashed hopes do an irreparable damage to their mental health and they die a couple of years later.

    On his deathbed, Sally reflects on the disasters of unnatural wealth acquisition:

    Vast wealth, acquired by sudden and unwholesome means, is a snare. It did us no good, transient were its feverish pleasures; yet for its sake, we threw away our sweet and simple and happy life – let others take warning by us.

    Want to read The 30000 Bequest by Mark Twain?

    The 30000 Bequest is a short story which is published in a novel alongwith other short stories written by Mark Twain. You can use the links given below to buy this short story collection on Amazon:

    Check Price on Amazon US
    Check Price on Amazon Canada
    Check Price on Amazon India

    The 30000 Bequest: Quotes and Review

    It’s so interesting to see the progression from contentment to cautious to frivolous and dangerous imagination and the havoc that it wreaked on their lives.

    Here’s the happy:

    “Happy in her husband, happy in her children and the husband and the children were happy in her.”

    The cautious:

    “Don’t lose your head so. We must not subscribe till we’ve got the money. Don’t you know that?”

    The frivolous:

    “Money had brought him (Tilbury Foster) misery, and he took revenge upon us, who had done him no harm. He had his desire: with base and cunning calculation he left us but thirty thousand, knowing we would try to increase it, and ruin our life and break our hearts.”

    The story has a grim ending but there is a little characteristic Mark Twain witty relief.

    Recall the brainstorming session that the couple had trying to come up with an excuse to throw a party to celebrate their imaginary wealth. As there were no birthday or any specific occasion to celebrate, the couple came up with an ingenious idea:

    But at last he hit it – just by sheer inspiration, as it seemed to him – and all their troubles were gone in a moment; they would celebrate the Discovery of America. A splendid idea!

    Let me take you back to a quick trip down the short term memory lane. Remember the guy sleep-walking his way up to his train at the Subway station I told you about at the beginning of this article?

    Does that idea seem more plausible to you now?

    What I got from the story is that – Crazy imagination is hilarious, when the subject is not you.

    Hope can be slippery sometimes.

    Tread with caution, friends of words!

  • Cupid and the Paintbrush by PG Wodehouse: Summary, Plot Analysis, Review

    Cupid and the Paintbrush by PG Wodehouse: Summary, Plot Analysis, Review

    Cupid and the Paintbrush is a short story written by PG Wodehouse – an English author and one of the most popular humorists of the 20th century. The story revolves around a man who proposes marriage to his love interest through a unique contest. 

    Let’s take a look at the plot summary of the short story:

    Cupid and the Paintbrush: Summary and Plot Analysis

    The story starts with the narrator (who is not named anywhere in the story except for his initials “R.A”) talking to Marjorie – his love interest.

    The narrator tries to persuade Marjorie to get married to him. Marjorie, however, is reluctant about the idea of marrying him. She insists that she would “make him wretched”, and that he would “hate the sight of her in a few years” and that he has no idea what she’s really like.

    RA doesn’t back down and continues trying to convince Marjorie to marry him. She remarks that she has nothing against marrying him per se, and that she actually likes him too, but it’s the idea of marriage that she is unsure about.

    R.A is puzzled by this. “What is your objection to marriage in the abstract? Tell me the worst. Are you a woman with a mission?” he asks.

    “Well, I suppose, I am, in a way. I want to paint.” she replies.

    He then asks why would that stand in the way of her marrying him. She explains that she wouldn’t paint so much once she is married to him as she would get lazy.

    RA assures her that that wouldn’t happen, as he is something of an artist himself. He then proposes a bargain to Marjorie.

    “We will each paint a picture for the Academy this year, and whoever paints the better one has his or her way in the matter. Do you agree?”

    Marjorie, after a little hesitation, accepts the offer.

    The couple meets again after 15 days and discuss the progress they’ve made with their respective pictures.

    RA, very cheerfully, informs Marjorie that he has chosen an allegorical subject for his picture. He intends to “represent a beautiful young lady dressed in a neat creation of white, standing on a rustic bridge with her back to a rather sweet thing in Turneresque sunsets.” He has titled the painting “Waiting”.

    Marjorie then tells him that she is painting a landscape which has a cow in a corner.

    RA is now convinced that his painting will easily win this contest, because the President (presumably the judge of the contest) will remember the beautiful young lady from his painting, and will hand him the win.

    After the result of the contest is declared. RA pays a visit to Marjorie’s house, where he finds her crying.

    He inquires if her picture was rejected.

    “Yes” Marjorie sobs. “I see how silly I was ever to think that I could paint.”

    RA consoles her and mocks his stupid contest. Once again, he implores her to marry him.

    An emotional Marjorie says yes.

    They embrace each other and make love.

    Afterwards, RA tells Marjorie that he came in to ask her to accept his marriage proposal despite that stupid wager.

    “But you won it.” says Marjorie.

    RA then informs her that his painting also failed to impress “the Committee”.

    Marjorie is surprised. “What! You were refused?”

    “My picture was. I was accepted. By you. Don’t move.”

    Following a long silence, RA proposes that they take to photography, share the same camera and “develop off the same plate”.

    Marjorie comments that she realized that she never did think very highly of “the Academy”.

    RA replies “Exactly what I have always thought about it. Don’t move.”

    And the story ends with a rather cryptic line “She did not move”.

    You can read the full version of this short story here

    Cupid and the Paintbrush Review

    This short story by Wodehouse is, in many ways, very much like his other stories. There is an underlying theme of humor which keeps you hooked to the characters and the plot.

    However, this story is a little unusual in the way it concludes.

    In the last few lines of the story, RA asks Marjorie to “not move” and she obliges by not moving. In the very last line of the story, Wodehouse emphasizes that Marjorie didn’t move.

    This makes you wonder – is there a hidden meaning to this “do not move” reference? Has Wodehouse tried to convey something here?

    I can assure you that when you read the story for the first time (which I highly recommend, by the way), you are highly likely to be puzzled by its conclusion.

    Wodehouse has left it to readers’ imagination to make their own interpretations of the story.

    What happens at the end of Cupid and the Paintbrush?

    The end of Cupid and the Paintbrush is really cryptic as the story ends with “she did not move” in reference to Marjorie – the love interest of the narrator.

    Let me share with you two interpretations that I made of the story’s ending:

    The narrator was proposing to paint her, not marry her?

    One way to look at the ending of the story is that right from the start, he sought Marjorie’s permission to paint her. This is conveyed in the story by means of R.A proposing marriage to Marjorie, when, in fact, he was proposing painting a picture of her, and wanted her to say yes.

    Marjorie is not a real person?

    One interpretation that I drew about the story’s ending is that Marjorie is not a real person. Rather, it’s an imaginary individual who R.A (who’s a painter) has fallen in love with, wants to draw her. Maybe that’s why he keeps asking Marjorie to not move (so that he could paint her)?

    To be honest, I am really not sure what Wodehouse wanted to convey through the conclusion of this story. These are the two interpretations that I made.

    However, I would love to hear your thoughts on it.

    Here’s a challenge for you: What’s your interpretation of the ending of Cupid and the Paintbrush?

    Share your thoughts and get featured on this website!

    What do you think happens at the end of Cupid and the Paintbrush? What does it mean when R.A says the mysterious line “she did not move” in the end?

    If you want to read the original copy of this short story by PG Wodehouse, you can read it here – it’s not more than 4 pages.

    Please take a look at the story and share your interpretation of its conclusion in the Comments section. We would love to hear your thoughts.

    If your interpretation of the ending fills all gaps and connects all dots of the story convincingly, then we would feature your interpretation in this article and credit you for it.

    What our fellow FriendsofWords (FOWs) are saying

    Sanebishop, a reader of FriendsofWords, agrees with my first interpretation of the ending, i.e. RA proposed to paint Marjorie, not marry her.

    Sanebishop also presented an interesting perspective: could we be missing something that was more obvious 100 years ago, when Wodehouse originally wrote this short story?

    I must admit that I had overlooked this aspect of the story – it is a century old tale!

    Many things make sense only in a specific time period. There are many examples of stories, novels and movies that were huge successes when they first released decades ago, but if you read or watch them today, it’s possible that you may feel “That book/movie isn’t that great. I don’t understand why it got so popular.”

    Is it possible that we, reading the story today, are missing something that made sense 100 years ago?

    If that’s the case, then what is it that we’re missing?

    In the end, let me just say this – this is a really underrated and relatively unknown short story from Wodehouse.

    Believe me, I talked to a lot of people about the ending of this short story, but surprisingly, most people were unable to crack the mystery of the “did not move” line at the end.

    I was first challenged to interpret the ending of the story by a friend. In response, I came up with two interpretations, which, in my opinion, are not as watertight as I’d like them to be.

    Now, my dear reader of FriendsofWords, I present the challenge to you!

  • Dogs Have Boundless Enthusiasm But No Sense of Shame. I Should Have a Dog as a Life Coach: Richard Melville Halle

    Dogs Have Boundless Enthusiasm But No Sense of Shame. I Should Have a Dog as a Life Coach: Richard Melville Halle

    I am yet to find someone my age or older that says they love doing grocery. There is something about doing grocery that has chore written all over it.

    And I would be safe in assuming that chores is not something anyone would particularly look forward to doing.

    So here I am on the grocery day, the day when all the gravity of the world is concentrated on my bed and the strongest electromagnetic force of the world is keeping a book glued to my hands.

    Stepping out of bed is particularly difficult considering the forces I am facing. An image of an empty fridge flashes before my eyes.

    Me says to meself : Come on, can’t be that lazy!

    So I step out for my grocery shopping. These days, I do not see many people on the road, but like a charm or a curse, I always see at least one person that will choose that precise time to go for a run.

    Incidentally this person will always have a great body and after apparently running for such a long time , didn’t break a sweat. If I was not feeling guilty until that point, I did now.

    Head down, I keep walking until I see a couple in a distance walking their dog. I wasn’t able to see it clearly but what was unmistakable in that dog was its enthusiasm, and the pride of having two humans dote on him.

    The dog seemed blissfully happy, full of energy like he was seeing the world for the first time.Happiness, as they say, is contagious. I suddenly felt the urge to walk faster to see the dog closely.

    The strangest thing happened. As soon as I was within 5 meter distance from the dog, our eyes met and facing my direction and looking at me, the happy dog sat down.

    Oh! My heart just melted.

    The humans with him were trying to pull on his leash but he didn’t budge. Now, I have never had dogs, so I didn’t know what was to be done next. So I gave him one flying kiss in my head and walked on.

    That one chance encounter with that lovely creature taught me a lot of things. I now believe all the great things they say about having dogs.

    I have since watched Airbud, Hachiko and A Dog’s purpose, absolutely loved them and discovered that I cry more in dog movies than human ones.

    So when Moby says:

    “Dogs have boundless enthusiasm but no sense of shame. I should have a dog as a life coach”

    .. I have no doubts that it is a 100% true and if I was as eloquent as him, I would say the same.

    adult white and brown shih tzu dog
    Photo by Goochie Poochie Grooming on Pexels.com

    If I really like something about a stranger walking on the road, I would think a thousand times before I complimented them, if I did. And here is the little creature, not knowing who I was, treating me as well as a long lost friend. Imagine, the humans he was with, and I didn’t exchange any words.

    The dog and I did conversed more than that.

    Dogs have a way of knowing us in a way that no human can. It’s not for nothing that they are called a man’s best friend.

    I wish for a lot of good things for you, and after shamelessly tweaking the epic line from Star Wars, I will say:

    May a dog be with you!

  • 8 Movie Things That Piss Me Off (Real Bad)

    8 Movie Things That Piss Me Off (Real Bad)

    It has been more than a hundred years since cinema has been around, but there are some things that movies just wouldn’t quit showing.

    I don’t have a problem with that; sure, show the good guy winning in the end, winning over a girl, win a battle, crush the villain’s skull – good stuff all around.

    But there are some things which I have seen so many times in so many movies that whenever I see them again in any movie, it freaks me out.

    1 – When the timer of a bomb stops at 99% or 0.01 seconds before the blast.

    Tom Cruise is fighting for the briefcase, oh man, the clock is ticking, will he able to stop the blast. Oh dear lord, only 5 seconds remaining… 4, 3, 2…

    *hits the big red button in the center of the briefcase*

    Bomb disabled just 1 second before detonation. Phew! That was a close one.

    We never thought that he would kill the bomb just 1 second before detonation!

    For once, I would like to see a movie disabling a virus at 62% or something or a bomb when the clock is at 2 hours 53 minutes or something like that.

    2 – When someone tells a kid “stay here, don’t go anywhere.”

    You know damn well that that kid is NOT gonna stay there.

    This is especially true for horror movies. I get that it may be a plot thing, but boy, wouldn’t I love to see a kid who, when told to stay at one place, would just stay there.

    Just like John Wick’s dog.

    3 – When the hero NEVER reloads his gun.

    A ‘movie gun’ is clearly superior to normal guns, because a ‘movie gun’ keeps firing for what seems like an eternity, but never requires a reload.

    FYI, most regular automatic pistols contain 18 rounds, tops. Once you’ve fired those… YOU RELOAD!

    In movies, during a firefight, they almost never show heroes reloading their guns. Even villains, for that matter.

    The only guys who DO reload their guns usually are the ‘extras’ of the villain who run out of ammo right when they’re face to face with the hero and have a clean chance of killing him.

    They squeeze the trigger, click! uh-oh, they need to reload!

    Yeah, because it’s only their guns that need reloading. Why don’t you use ‘movie guns’, dickheads!

    4 – When someone orders a beverage and then they don’t drink it.

    For all that’s pure in the world, why would they not take a sip, atleast? It irks me to see a fella walk in a cafe, order a coffee, spot a girl, start chatting and leave the goddamn drink to its devices.

    5 – When the villain finally corners the hero and has a gun pointed at him, but decides that it’s a better idea to start a pointless conversation.

    “I see that I have a gun and you don’t. At this point, why don’t I tell you the story of my goat. Once upon a time, I had a goat named Shelly…..”

    I like good guys, you know. I want them to win.

    But it drives me crazy when I see the bad guy start chit-chatting when he has a weapon (and his enemy doesn’t) and has a clear advantage.

    I think it’s just lazy writing. It shouldn’t come to this that they have to get the villain to engage in small talk with the protagonist, especially when he has such an obvious advantage over the protagonist.

    6 – When drivers keep shifting gears and keep going faster and faster.

    You know, there is a limit to the number of gears. A regular car has 5 gears, which means, if you’re driving in the 5th gear, it’s the top gear, which means you don’t have any more gears left!

    Still, in car-chase sequences, it’s so common to see drivers, who are already going at top speeds supposedly, change gears and hit the gas to go even faster.

    Urgghh!

    7 – When gun silencers completely eliminate a gunshot’s sound.

    James Bond puts a silencer on his gun’s nozzle and voila! Now all his gunshots sound like Queen Elizabeth’s spitting. So silent and graceful!

    This is plain wrong.

    Even the best gun silencers are not even remotely as effective as what they show in movies. A silencer certainly reduces the sound of a gunshot, but it never silences a gunshot.

    8 – When stalking and lying are shown to be okay to win a girl’s love.

    This one is particularly shitty, because it has a real impact in our lives. I am sure you may have seen countless romantic comedies in which the guy ‘wins over’ a girl by being insolently persistent. So much so, that he also tells many lies and even stalks her, all of which is hunky dory because the girl likes it and finally falls for the guy.

    This couldn’t be further from the truth.

    ryan reynolds stalking meme

    Persistence is a good thing, but there are other ways to show it.

    Stalking someone, especially when they’ve made it clear that they’re not interested, is not cool.